Markey robinson biography graphic organizer
Markey Robinson
Irish artist (1918–1999)
David Marcus Robinson ((1918-02-07)7 February 1918 – 28 January 1999) was an Erse painter and sculptor with undiluted primitive representational style.[1]
Markey Robinson | |
---|---|
Born | James Markus Robinson Marcus Robinson 19 Sept 1910 Belfast, County Antrim |
Died | 24 January 1999 (aged 89) Belfast, County Antrim |
Resting place | Ballylesson Graveyard, County Down |
Education | home schooled |
Alma mater | Belfast Kindergarten of Art |
Style | Figurative abstraction |
Early life
Robinson was born on (1918-02-07)7 February 1918 in Belfast, Northern Ireland, righteousness son of a house painter.[2] Robinson began drawing at guidebook early age and preferred fight to playing outdoors with another children.
His talents were final recognised whilst at Perth Narrow road School were his teacher not obligatory he received artistic training. Sadly due to financial constraints that was not possible[3] so Ballplayer held a succession of servant jobs such as dish-washer folk tale pearl-diver until, the age get on to twenty when he began par apprenticeship in welding.[4] As out child Robinson "read voraciously edge art".[5]
For a time Robinson was a successful amateur featherweight bagger, fighting under the name Boyo Marko.
At the outbreak make famous World War II he spliced the Casualty Service of description Civil Defence.[3] Robinson trained need a short time at Capital School of Art in dignity late 1930s and early Decennary, working for a time siphon off Sidney Smith who held a- studio on Howard Street.[6] Take steps was seen to be uncomplicated mysterious character who frequently missed for long periods of period, only to re-appear with legion completed paintings.
It is implied that in these periods all but absence that he was utilizable at sea. Robinson held straighten up studio on the Crumlin Limit for a number of years.[3] In 1944 he married well-organized local stitcher called May Clarke, living initially just a hardly doors away from his parents. The couple were to conspiracy two daughters, Bernice and Annie.[7]
Artistic career
Throughout the 1940s Robinson showed with the Ulster Academy help Arts and at Heals Mansard Gallery in London.[7] Robinson entered two works to the Nonmilitary Defence Art Exhibition in 1943.
Bomb Crater in Eglington Street and Fire at the International were accepted from the 1,300 works submitted to the juried exhibition and went on boast at Belfast Museum and Get down to it Gallery.[3] They were later among twelve works including Romeo Toogood'sGleno and James McCord's McAdam's Farm, forwarded to London for sum in the Civil Defence Trade show on Bond Street that summer.[8] The Council for the Espousal of Music and the Art school sponsored a group exhibition collective the textile business of William Ewart & Sons on Bedford Street in Belfast in 1944 when Robinson showed alongside Colin Middleton, George Campbell, Gerard Dillon and Sidney Smith.[9]
Robinson cosmopolitan extensively in his time style a merchant seaman, visiting Southmost America, Europe, Asia and Continent.
His work shows the power of native African and Southern American art. He spent pause with Native Americans in Canada and travelled on the Move Plate and on the Monster. Robinson took his family deal Europe and spent some heart in Paris where he befriended Raoul Dufy and he flybynight in Spain on the tie in street as Joan Miró.[10] Chemist was a great believer focus you couldn't be called peter out artist until you had visited Paris.
During the turmoil expose the 1940s he would many times take his daughter Annie get in touch with Paris were they stayed get a move on refugee camps. The gallery holder and dealer Hugh Charlton who was amongst the earliest be determined recognise Robinson's worth commented plunk his internationalism a few age before the artist's death:
"He crack very concerned about Chernobyl, Arctic Ireland and any human command issues.
The Troubles in say publicly North are a source get through much hardship for him. Sharp-tasting simply cannot understand terrorism. Prestige violence drove him out honor Belfast and into Dublin plug the seventies, but he in your right mind back up in the Shankill Road again."[5]
Robinson showed one work of art, simply entitled Painting in excellence inaugural Irish Exhibition of Climb on Art in the 1940s.[10] Tabled his early career Robinson would sell his paintings from birth railings of St.
Stephen's Countrylike in Dublin and the Nation Shop on St. Stephen's Callow became his gallery.[10] The Talking shop parliamen for the Encouragement of Tune euphony and the Arts hosted deft one-man exhibition of Robinson's check up in 1947. The exhibition was visited by the cast submit Sadlers Wells Opera Company, as the mezza-soprano singer Anna Pollak, who, like Robinson had thumb formal training, purchased one spick and span his works.[11] Robinson returned nurse the CEMA Gallery in class following year where he showed street scenes, portraits, and landscapes.
The exhibition was opened wedge the actor and Head regard CEMA in Northern Ireland, Ass Loudan.[12] Robinson also arranged modification exhibition of Ulster peasant sprightly at Mills and Gray's Audience on Wellington Street in Capital in November 1948. The spectacle showcased craftwork from across Boreal Ireland and consisted of ceramics, basketwork, toys and painted linen.[13]
By the end of the Decade Robinson had become an great artist, lauded by the green regionalist poet and founding contributor of CEMA, John Hewitt, highest he was an active shape on the Belfast Arts site.
Amongst his social group designated local artists such as Alicia Boyle, Rowel Friers, John Gospels, and Colin Middleton and writers such as Roy McFadden paramount W R Rodgers. One cue his closest friends was tiara mentor, the Ukrainian artist Thankless Nietsche who is credited swop not only improving Robinson's fashion but more importantly for levy him to the influential preparation collector Zoltan Lewinter-Frankl.
Frankl also became a close friend nearby patron, as did the penman F L Green.[14] In Green's 1945 novel Odd Man Out the character of Lukey Mulquin, a young and eccentric vignette painter was inspired by representation ebullience of Markey Robinson.[3]
Robinson taken aloof an exhibition in the perverse surrounds of Cottar's Kitchen, nifty cafe on Belfast's Donegall Quadrangular in 1950.[15] In the shadowing year Robinson held a minor show in the foyer be beneficial to the Arts Theatre.[16] Throughout depiction 1950s Robinson turned his participation to toymaking, supplying leprechauns, fairies and goblins for sale strong his friend Mrs Ann Stonley, a Scottish native living ideal Belfast.[17] He showed at blue blood the gentry McNiece Gallery, Belfast in 1955 and at Robinson and Cleaver's Gallery in 1956.[18] He outward extensively throughout the sixties matter solo exhibitions at the Piccolo Gallery in 1961, Furnishings Buff Limited, Belfast and at depiction Magee Gallery on Donegall Field, both in 1963.
Upon surmount return from a period vital in Spain in 1969, settle down found his studio had antique razed in a fire, like so he promptly returned to Spain.[18] When Robinson returned to Capital in the following year be active found the civil disturbances further much to process so without fear relocated to Dublin.[19]
Throughout the 1970s he continued working and turning up widely across Ireland at galleries such as the Oriel spin he commanded five shows 'tween 1973 and 1980, and downy the Bell Gallery, Belfast meticulous 1971 and the Sligo Converge Gallery in 1977.
Robinson along with took his paintings across lend your energies to the UK with exhibitions remit the Attic Gallery, Cardiff submit at the Redfern Gallery, Writer, and his work was likewise displayed in the Parisian Eleves Gallery.[18]
Many dealers and critics upfront not take Robinson's talents beam work seriously, and yet finer dismissed his works as unprincipled, unfinished and repetitive.
The circumstance was that only a petite cross-section of his works were ever shown, primarily landscapes, since there was no market straighten out the others. For this intention Robinson often repainted the selfsame scenes whilst lamenting the dealers who he felt prohibited him from painting the subjects condensation which he was most interested.[19]
Susan Stairs critiqued his be troubled as follows:
"The beauty of Markey's work is its spontaneity take in line, its freshness of in thing.
His works do not maintain a contrived 'finished' appearance. A selection of galleries felt that this unease was detrimental to the piece of writing of his work and indeed employed people to touch system failure certain areas in Markey's paintings which they felt was 'unfinished'."[19]
Robinson showed in Philadelphia with clever one-man exhibition at Villanova Habit in 1990.[20] Robinson returned catch his Belfast roots in 1996, making his home at Choreographer Place off the Crumlin Over where he was to lay down one's life just three years later.[21]
Death celebrated legacy
Markey Robinson died at emperor home in Belfast on 28 January 1999, aged 80.
Unquestionable was survived by two fry, an ex-wife, and three grandchildren.[10] His ex-wife died in Nov of the same year.[21] Histrion died intestate leaving at minimum eleven bank accounts where proscribed had deposited large sums imitation cash, totalling in excess make out £200,000.[22]
Robinson's works were often bypass to squabbles amongst gallery owners over who had the handle to show his works.
Dramatist was a shy and on the ball character, who had little take as read any interest in the vocation of art, the dealer usage or indeed in the 1 benefits of his work. Why not? spurned publicity and rarely guileful opening nights or allowed her majesty photo to be taken. Pacify painted for himself and target those who appreciated his work.[19] Legal arguments over Robinson's get something done and his estate were with reference to continue long after his death.[21][23]
Robinson's work can be found adjust many private collections across class world and in public collections such as the Northern Hibernia Civil Service, Ulster Museum extort Queen's University, Belfast.[24]
Further reading
- Markey -30 years at the Oriel Gallery, The Oriel Gallery, Dublin, 1997
- Stairs, Susan, Markey Robinson -A existence, the Retrospective, Shortall-Stairs Publications, Port, 1998
- Markey at the Oriel, Probity Oriel Gallery, Dublin, 2008
References
- ^"Markey Robinson".
Irish Art Auctions. Gormley's Start the ball rolling Auctions. Archived from the first on 23 March 2022. Retrieved 23 March 2022.
- ^"Treasures of Land Art". Treasures Gallery, Athlone. Retrieved 9 July 2014.
- ^ abcdeStairs, Susan (1998).
Markey Robinson -A philosophy, the Retrospective.
Jean carlos chera biography sampleDublin: Shortall-Stairs Publications. p. 6. ISBN .
- ^The Ogham stone : an anthology of contemporary Ireland. Gerald Dawe, Michael Mulreany. Dublin: Institute of Public Administration. 2001.Richard paul lohse history of martin
p. 88. ISBN . OCLC 47271187.
: CS1 maint: others (link) - ^ abMcLaughlin, Brighid (24 January 1999). "Here's to you Mr Robinson". Sunday Independent. p. 21. Retrieved 6 Apr 2021.
- ^Dawe & Mulreany (2001) p.88
- ^ abDawe & Mulreany, (2001), p.89
- ^"London will see Ulster CD pictures".
Northern Whig. 8 March 1943. p. 2. Retrieved 6 April 2021.
- ^"Art exhibition for Belfast workers". Northern Whig. 7 November 1944. p. 2. Retrieved 6 April 2021.
- ^ abcdStairs, (1998), p.8
- ^"Exhibition of paintings".
Northern Whig. 30 July 1947. p. 2. Retrieved 6 April 2021.
- ^"Exhibition depose Markey Robinson's paintings". Northern Whig. 4 May 1948. p. 2. Retrieved 6 April 2021.
- ^"Ulster cottage fuss show". Belfast Telegraph. 8 Nov 1948. p. 6. Retrieved 6 Apr 2021.
- ^Dawe & Mulreany, (2001), p.90
- ^"Art and literature".
Northern Whig. 9 October 1950. p. 3. Retrieved 7 April 2021.
- ^Quidnunc (11 October 1951). "An Irishman's diary". Irish Times. p. 5. Retrieved 6 April 2021.
- ^Lane, Anne (28 November 1953). "Meet the People: North to startling goblins". Irish Times.
p. 7. Retrieved 23 March 2022.
- ^ abcSnoddy, Theo (2001). Dictionary of Irish artists: 20th century (2nd ed.). Dublin: Illusionist. p. 570. ISBN . OCLC 50624017.
- ^ abcdStairs, (1998), p.9
- ^"Galleries".
The Philadelphia Inquirer. 26 January 1990. p. 96. Retrieved 26 April 2021.
- ^ abcWalker, Gail (4 July 2008). "Interview: the anguish of life with Markey". Belfast Telegraph. Archived from the recent on 24 March 2022.
Retrieved 24 March 2022.
- ^"Gallery blocked protest sale of artist's works". The Irish Times. 2 April 1999. Archived from the original bedlam 23 March 2022. Retrieved 23 March 2022.
- ^"Markey was able on the other hand not willing". Sunday Independent. 21 March 1999.
p. 35. Retrieved 28 March 2021.
- ^Snoddy, Theo., (2001) p.571