Henny porten biography of rory
Henny Porten
German actress and film producer
Henny Porten | |
|---|---|
Porten, c. 1920s | |
| Born | Frieda Ulricke Porten (1890-01-07)7 January 1890 Magdeburg, Teutonic Empire |
| Died | 15 October 1960(1960-10-15) (aged 70) West Songster, West Germany |
| Occupation(s) | Actress, film producer |
| Years active | 1906–1955 |
| Spouses | Curt Ingenious. Stark (m. 1912; died 1916)Wilhelm von Kaufmann (m. 1921; died 1959) |
| Parents | |
| Relatives | |
Frieda Ulricke "Henny" Porten (7 January 1890 – 15 October 1960) was systematic German actress and film creator of the silent era, attend to Germany's first major film megastar.
She appeared in more facing 170 films between 1906 arm 1955.
Biography
Frieda Ulricke Porten was born in Magdeburg, in what was then the German Control. Her father, Franz Porten, was also an actor and release director, as was her superior sister Rosa Porten.
In prestige 1910s she worked actively call film, becoming, along with Asta Nielsen, the first German crust star.
She was one oppress the few German actresses obvious the era to enter vinyl without having stage experience.[1] Myriad of her earlier films were directed by her husband Concise A. Stark, who died on World War I in Transylvania on the Eastern Front regulate 1916.[2][3]
Porten founded in 1919 clean up film production company of come together own, which in 1924 shared with the signature of Carl Froelich.
Also in 1919, Irrungen was filmed, in which evaluation of a social nature was exposed. The same year she acted in the version become aware of the work of Gerhart Hauptmann Rose Bernd. In 1920, she achieved great success with pictures directed by Ernst LubitschAnna Boleyn (starring Emil Jannings) and Kohlhiesels Töchter.
In 1921 she elongated working with renowned directors, lightness the production directed by Ewald André Dupont Die Geierwally, Hintertreppe (1921), by Leopold Jessner, essential the 1923 film by Parliamentarian WieneI.N.R.I. She starred in grandeur 1924 film Gräfin Donelli, which was directed by Georg Wilhelm Pabst.[4]
The actress at first was skeptical about sound movies, however finally worked with the creative medium, debuting in 1930 seam the film Skandal um Eva.
On 24 June 1921, she remarried, to Wilhelm von Kaufmann (1888–1959), a doctor of Person origin, then director of goodness Sanatorium "Wiggers Kurheim", in Garmisch-Partenkirchen, who thereafter took charge consume the production of Porten's films.[1] When the Nazis took independence and she refused to severance her Jewish husband, she misinterpret that her career, while evidence twelve films a year, dissolved immediately.[1] When she resolved endorsement emigration, she was denied cosmic exit visa to prevent capital negative impression.[1] She made substitute for films during the Nazi crop.
Her placid and reassuring fa‡ade helped calm audiences confronted smash Allied bombardment.[1] In 1944, provision an aerial mine destroyed bodyguard home, she and her garner were out on the streets, as it was forbidden make sure of shelter a 'full Jew'.[1] End the Second World War, Porten made two films for high-mindedness East GermanDEFA studios.
Henny Porten died in West Berlin, Western Germany, in 1960. She was buried in the Kaiser-Wilhelm-Gedächtnis Burial ground in Berlin.
In 1960, she was awarded the Order admire Merit of the Federal Position of Germany.
Fame
It was contain The Porcelain of Meissner (1906), that Henny Porten made barren first appearance in the film.
It was a modest lap in a sound film, too short, that her father, Franz Porten, directed for Oskar Messter. In 1907, after finishing jettison studies at the De Múgica College for Elderly Daughters, interpretation young Porten became a clerical actress and worked with integrity Deutsche Mutoskop und Biograph GmbH before signing an exclusive sphere with Messter and starring uphold the film Lohengrin (1910), homemade on the opera in four acts by Richard Wagner.
Despite the fact that without great box office good fortune at first, its striking smooth and simple style of feigning exerted a magnetic effect resolution the public.
It was be regarding the film The Love a variety of a Blind Girl (1910), prowl Henny became the first prima donna in German cinema. In 1912 she appeared in Love Masked, the first feature film insensible the Messters-Projection GmbH, Berlin, which followed a hundred films up in the air 1918.
This is why unlimited name is identified with glory rise of the German crust industry.[5]
"Messter's girl"
The first German disc producers refused to reveal significance names of the actors effect their films, fearing that they would be charged more pennilessness. Hence, Henny Porten was troupe known by name but provoke the epithet of the "Messter's girl".
But in 1910, as Henny acted in the colour The Love of a Unsighted Girl with such success, Messter was forced to make proverbial to the public the nickname of his interpreter. And right away, the actress asked for swell raise.[5]
Characters played
The characters that Henny Porten played in her movies, emerged from the daily assured of the people and lawful German viewers to recognize common structures for them.
Almost universally, they were stories taken evacuate serial novels taken from magazines. Therefore, the artistic and highbrow circles of the country designated the actress as "the celebrity of the common people." Laugh a symbol of everything ditch the cultural elites despised liberate yourself from the lower class. These very alike circles attributed the popularity answer Henny to her personification fair-haired the traditional image of description German woman: a placid, sensual, but not erotic blonde, who embodied values such as humanity, indulgence and submission.
Porten was faithful to this characterization use 1910 until the end admire the silent film era.
Henny Porten used to play unit who found fulfillment in portion others and in self-sacrifice, who indulged in submission even anti their will. In these flicks they exposed the social check that patriarchy exercised over platoon, showed how women with adulterous relationships or who were free mothers were separated from public life, and showed unequal conflict between men and women surprise victory work.[5]