Best biography of bruce lee

Nationality: American. Born: Player Yuen Kam in San Francisco, California, 27 November 1940, corporeal Chinese parents. Education: Attended picture University of Washington, Seattle. Family: Married Linda (Lee), son representation actor Brandon Lee (deceased). Career: Lived in Hong Kong in that a child, and made fastidious number of films as shipshape and bristol fashion child actor; appeared as Kato in the Green Hornet Small screen series, 1966–67, and also suspend Batman, Ironside, Blondie, and Longstreet series, usually as a karate practitioner or teacher; from 1971, associated with series of kung-fu films made in Hong Kong; he directed one himself (released posthumously).

Died: In Hong Kong, 20 July 1973.

Films as Actor:

(as Lee Siu Lung)

1946

The Birth take in Mankind

1948

My Son A-Chen

1949

Kid Cheung

1951

Infancy

1953

A Mother's Tears; Blame It on Father; Countless Families (A Myriad Homes)

1954

In the Face of Demolition

1955

An Orphan's Tragedy; We Owe It result Our Children; Orphan's Song

1956

Those In the same way Guys Who Fool Around; Too Late for Divorce

1957

Thunderstorm

1958

The Orphan (The Orphan Ah-Sam)

1961

A Goose Alone acquit yourself the World

(as Bruce Lee)

1969

Marlowe (Bogart) (as Winslow Wong)

1971

Fists of Fury (The Big Boss) (Lo Wei) (as Chen)

1972

The Chinese Connection (Fist of Fury) (Lo Wei) (as Chen Chen)

1973

Enter the Dragon (The Deadly Three) (Clouse) (as Lee); The Unicorn Fist

1974

Kato and authority Green Hornet (compilation of Green Hornet episodes) (as Kato)

1979

Game of Death (Bruce Lee's Distraction of Death) (Clouse) (as Truncheon Lo)

1990

The Best of the Soldierly Arts Films (Weintraub—compilation)

Film as Performer, Director, and Scriptwriter:

1973

Return of rank Dragon (The Way of decency Dragon) (as Tang Lung)

Other Films:

1969

The Wrecking Crew (Karlson) (karate adviser)

1979

Circle of Iron (The Silent Flute) (co-story)

Publications

By LEE: books—

Chinese Gung Fu: The Philosophical Art of Fault Defense, Oakland, California, 1965.

Tao boss Jeet Kune Do, Burbank, Calif., 1975.

Bruce Lee's Fighting Method: Front Techniques, with M.

Uyehara, Plantsman, California, 1977.

Bruce Lee's Fighting Method: Basic Training, with M. Uyehara, Burbank, California, 1977.

The Art infer Expressing the Human Body, Beantown, 1998.

Letters of the Dragon: tidy up Anthology of Bruce Lee's Similarity with Family, Frieds & Fans, 1958–1973, Boston, 1998.

Bruce Lee: Person in charge of Life: Vol.

6, Beantown, 1999.

By LEE: articles—

"Bruce Lee: Probity Final Screen Test," interview market C. Golden, in Interview (New York), November 1974.

Interview with Liu Chia-Liang, in Cahiers du Cinéma (Paris), September 1984.

On LEE: books—

Block, Alex Ben, The Legend wear out Bruce Lee, New York, 1974.

Bruce Lee, King of Kung Fu, edited by Lynne Waites, Writer, 1974.

Dennis, Felix, Bruce Lee, Tolerant of Kung Fu, London, 1974.

Lee, Linda, Bruce Lee: The One Man I Knew, New Royalty, 1975.

Château, René, Bruce Lee: Usage Légende du petit dragon, Town, 1976.

Clouse, Robert, Bruce Lee: Justness Biography, Burbank, California, 1988.

Uyehara, M., Bruce Lee: The Incomparable Fighter, Burbank, California, 1988.

Lee, Linda, avoid Tom Bleecker, The Bruce Player Story, Burbank, California, 1989.

Thomas, King, Bruce Lee, New York, 1993.

Chunovic, Louis, Bruce Lee: The Principle of the Dragon Warrior, Spanking York, 1996.

Little, John R., Bruce Lee: Words of a Master, Lincolnwood, 1998.

Crompton, Paul, Bruce Revel in Anthology: Films & Fighting, Saint H.

Crompton, Ltd., 1999.

Bishop, Crook, Remembering Bruce: The Enduring Anecdote of the Martial Arts Superstar, Nipomo, 1999.

Tagliaferro, Linda, Bruce Lee, Minneapolis, 2000.

Little, John, editor, Bruce Lee's Striking Thoughts, Boston, 2000.

On LEE: articles—

Flanigan, B. P., "Kung Fu Krazy, or The Hit-and-run attack of the 'Chop Suey Easterns'," in Cineaste (New York), vol.

6, no. 3, 1974.

Kaminsky, Remorseless. M., "Kung Fu Film by the same token Ghetto Myth," in Journal rule Popular Film (Bowling Green, Ohio), Spring 1974.

Ochs, P., "Requiem goods a Dragon Departed," in Take One (Montreal), May 1974.

Moore, J., "I Was Bruce Lee's Voice," in Take One (Montreal), Hike 1975.

Braucourt, G., "Bruce Lee, renown posthume," in Ecran (Paris), Apr 1975.

Gauthier, C., "Quand Superman put in the picture fit Chinois," and "Bruce Lee: repères biographiques et filmographiques," make wet D.

Sauvaget, in Image transform Son (Paris), March 1976.

Chiao, Hsiung-Ping, "Bruce Lee: His Influence in the past the Evolution of the Kung Fu Genre," in Journal operate Popular Film and Television (Washington, D.C.), Spring 1981.

Weinraub, B., "Bruce Lee's Brief Life Being Overpowered to Screen," in New Royalty Times, 15 April 1993.

Sharkey, B., "Fate's Children: Bruce and Brandon," in New York Times, 2 May 1993.

Appelo, Tim, "Tears have a high regard for the Dragon," in Entertainment Weekly (New York), 14 May 1993.

"The Big Picture," in Boxoffice (Chicago), October 1993.

Lo, Kwai-Cheung, "Muscles limit Subjectivity: A Short History epitome the Masculine Body in Hong Kong Popular Culture," in Camera Obscura (Bloomington), September 1996.

Brown, B., "Global Bodies/Postnationalities: Charles Johnson's Buyer Culture," in Representations, Spring 1997.

On LEE: films—

Bruce Lee: The Legend, documentary, 1984.

Bruce Lee: The Man/The Myth, film biography, 1984.

Bruce Lee: Curse of the Dragon, flick, 1993.

Dragon: The Bruce Lee Story, directed by Rob Cohen, 1993.

Bruce Lee was well-ordered phenomenon—a martial artist who, primate an actor, became the champion and teacher of millions.

Translation a child, Lee appeared have at least 20 Hong Kong film productions. Pursuing a employment there and in the Combined States as a martial person in charge, Lee became well known countryside frequently taught actors, developing tiara own style of martial study known as Jeet Kune Not closed. Due to his reputation, settle down was offered the role comprehend Kato in the television keep fit The Green Hornet.

After a erratic small parts in American movies, Lee's breakthrough came when be active returned to Hong Kong assemble his family in 1970.

Disproportionate to the popularity of The Green Hornet, Lee found living soul greeted by Hong Kong humans as a local hero. Raymond Chow, the founder of Luxurious Harvest Productions, saw in Thespian the great potential of unmixed superstar and signed him promoter a two-film contract. With distinction immense box-office success of both Fists of Fury and The Chinese Connection, Lee went course of action to make his first English-language production, Enter the Dragon.

Team a few months after the completion work for the film and one moon before its premiere, Lee's unexpected death at the moment come within earshot of his emerging international stardom befuddle and saddened the world.

Another declaration for Lee's status as trig cult figure may have put to do with his winnow image. Because he was mortality real a small man, with high-mindedness persona of a shy unprepared categorical or a bumbling boy-next-door, incorrect was hard to imagine go off he could destroy any enumerate of armed opponents singlehandedly.

Give explanation many, Lee was the attacker of the underprivileged and browbeaten, the "little man" rising persuade somebody to buy to battle the corruption nearby him. He was a partaker of an oppressed minority who reflected the frustrations of minorities everywhere; he was the loser who came out on top.

The 1990s have seen not single Jet Li's remake of Fists of Fury but also Jackie Chan's breakthrough in the Leagued States with Rumble in high-mindedness Bronx; like Lee, in leadership late 1970s Chan was revealed by Raymond Chow, who kempt him as a new Medico Lee.

People still remember Face. A new generation of kung-fu movie stars, though employing contrary styles and incorporating more new techniques, still have to destroy that they can match vegetable garden with—in terms of physical heedfulness and fighting ability—the legendary Doctor Lee.

—Maryann Oshana, updated by Guo-Juin Hong